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Kierra

Okay, now it’s starting to feel like Patrick J. Adams’ time on the show is coming to an end. With two more episodes left this season, “Pulling the Goalies” sees Harvey and Mike team-up to help Judge Ralls, the judge who presided over Mike’s fraud case. Seeing Harvey and Mike kicking it like the good ol’ days has been a rare occurrence in the past few seasons, so it was nice that we got one more Batman and Robin takedown before Adams leaves the show. Obviously, this case wasn’t without its bumps.

Judge Ralls approaches Mike to represent her in the lawsuit, claiming she overturned a verdict for personal gain. She swears she didn’t do it, and guilt trips Mike into taking the case since she treated him fairly during his trial. She even quotes his closing statement back at him. So obviously Mike feels compelled to take it. However, taking her on as a client means the firm would have to drop any client that has a case in her court. This is the last thing Harvey wants to do, but Mike asks him to work on it with him because he wants them to have fun together and thinks Harvey might need a distraction from his break-up.

So, the two get to work on the case, which proves to be trickier than they expected. But that’s not really important here. What’s important is the meal the two share while working where Harvey tells Mike about Donna kissing him, and Mike admits that he told Donna to tell Harvey how she felt before it was too late. Harvey realizes Mike couldn’t have known she’d kiss him. So for the moment they’re cool, but once the case heats up, everything changes.

Eventually, the opposing counsel suing Ralls tells Mike and Harvey that she’s coming after her. Harvey’s one rule is that clients don’t lie to him, so he’s totally prepared to drop her because that means he won’t have to give up a big client he’s trying to sign. Mike, being Mike, doesn’t want to do that and unfairly accuses Harvey of never sacrificing, which causes a fight. Harvey points out that he has sacrificed everything, and then Mike throws the whole “I went to prison for you” thing in his face.

Donna overhears the entire argument and decides now’s not the right time to tell Harvey that she put their office lease in jeopardy. While Mike and Harvey were doing the Batman and Robin thing, the firm’s flirtatious landlord David Fox approaches Donna and tricks her into admitting that the firm restructured, which violates the lease and allows him to evict the firm in 90 days. Donna asks Rachel to help come up with a countersuit to save the firm, which ends up putting it in even more jeopardy because David never actually filed his suit and Donna’s suit violates the terms of the lease, which states that tenants can’t sue the landlord without first going to arbitration. So now, the firm has 30 days to move out. (Next: Donna and Rachel pull a Burlesque)

Continue reading Suits Recap: ‘Pulling The Goalie’

How did Harvey’s conversation with Paula about sleeping with Donna 12 years ago go? Not great Bob!

“Bad Man” wastes little time in revealing that Harvey and Paula are on a mini-break of sorts. Harvey hoped that Paula would just yell at him for a bit for lying and then they could move past it, but that’s not what Paula needs right now. No, she needs space to process this information and demands that Harvey gives it to her. Which he does. So, when the episode opens, Harvey is boxing his troubles away, but that’s barely getting the job done since he can’t stop thinking about their conversation.

Thankfully, our lord and savior Jessica Pearson appears to Harvey (via a phone call) with a problem that’ll help keep his mind off of his relationship issues. Jessica, who is totally fine with the harsh press about the newly named Specter Litt released, asks Harvey to divert $2 million of the money he’s giving her to an untraceable account. Obviously, Harvey’s first thought is that she’s trying to do something illegal, but she assures him she isn’t yet refuses to tell him why she has such an odd request.

This is a money issue, so Harvey turns to Louis for help, but Louis doesn’t have the “emotional bandwidth” for this problem because he’s dealing with his own issues: Sheila. Earlier that morning, Sheila interrupted Louis’ mudding session and tried to seduce him with some below-the-mudd action. The scene made me feel very uncomfortable. Louis tries to resist her, but Sheila ignores him and simply gives him a burner phone that she will call to set up their next rendezvous in the next few days because she’s certain he’ll change his mind and embrace being a bad boy.

Dr. Lipschitz says what we all want to tell Louis: Being a “bad boy” isn’t his thing and he shouldn’t do this because Sheila, like most of the women he pursues, can’t love him the way he wants/needs to be loved. (In case you forgot, which I did, Louis and Sheila broke up because Louis wants a family but she doesn’t.) But Louis being Louis refuses to get over the idea and continues to pursue Sheila. He tries to convincing her to leave her fiancé, but she rebuffs his sweet declaration of love because he broke her heart once before and she knows neither of them will change their minds about what they want out of life. So for now, Louis’ options are mistress or nothing at all.

As the episode unfolds, the series treats us to flashbacks to Louis’ high school years when he was “dating” a girl, who was only dating him as a cover because her parents wouldn’t approve of her actual boyfriend. Louis eventually learned what was up, but it took him a long time to put an actual end to it. In fact, one day Lil Louis overheard this girl telling her real boyfriend that she can’t actually be with Louis because he’s not a bad boy. Back in the present, Dr. Lipschitz reminds Louis again that it’s true, being a “bad boy” is not in his nature. But Louis decides that a tiger can indeed change its stripes. So, he shows up at Sheila’s office and declares that he’s ready to be a bad boy, because making the right decision is so damn hard for this man. (But hopefully this is the last time I have to use type “bad boy.”)

Continue reading Suits Recap: ‘Bad Man’